Here is the seventh instalment of Schengen border art, an ongoing project in which I map the multifarious ways in which the Old Continent’ (real and imaginary) frontiers have been represented/performed/subverted.
Freedom Bus Project – Crossborder – International Network of History and Art (2015)
Art Bridges Europe – AA.VV. (Itinerant multimedia project 2015)
Residenzpflicht – The invisible borders – Philipp Kuebart (2012-14, exhibition)
The Mediterranean Tunnel – MTO (street art, 2015)
Immigration – Daniel Garcia (2015; mixed media)
Surprising Europe – African migration experiences (multimedia project ; 2013)
Breaching Borders: Art, Migrants and the Metaphor of Waste – Steyn and Stamselberg (book; 2014)
Posted by schengenizer on July 31, 2015
Here is the sixth instalment of Schengen border art, an ongoing project in which I map the multifarious ways in which the Old Continent’ (real and imaginary) frontiers have been represented/performed/subverted.
White Crosses – Centre for Political Beauty (Art installation, 2014)
Bordergame – National Theatre Wales (2014, live/online performance, role-play)
Borrando La Barda/Erasing the Border – Ana Teresa Fernandez (2001, visual performance)
EU-MAN – European Union Migrant Artists Network (1997)
And to conclude, some Schengen pop culinaria…
Schengen Restaurant – Delhi
The Indian Schengen
Echoes of Europe in a review of Delhi’s Schengen restaurant:
“Schengen is unmissable, with its bright lights, all-white exterior… (…). Yet as you enter there is a nagging sense that there is way too much space. (…) Schengen is a massive space to fill…”
Posted by schengenizer on March 31, 2015
Here is the fifth instalment of Schengen border art, an ongoing project in which I map the multifarious ways in which the Old Continent’ (real and imaginary) frontiers have been represented/performed/subverted..
Isaac Julien – Western Union: Small Boats (The Leopard) (Video Installation, 2014)
Mimmo Paladino – Porta di Lampedusa, Porta D’Europa (sculpture, 2008)
Lena Malm, Sarah Green – Borderwork: A visual journey through periphery frontier regions (2014 photo-book)
The Splendours and Miseries of the Schengen Zone (theatre performances, Riga, 2014)
Schengen Schege (band, Brussels)
Malik Nejmi – “4160″ (video installation, 2014)
Posted by schengenizer on October 31, 2014
Here is the fourth instalment of Schengen border art, an ongoing project in which I try to map the multifarious ways in which the Old Continent’s (real and imaginary) frontiers have been represented/performed/subverted.
Blue in Morocco – Blue (2012, wall art)
Caution border – AA.VV. (2009, installation)
Without borders? – Kontekst and h.arta (2009, exhibition)
Undocumented Apparel – Julio Salgado (2012, illustrations)
Schengen-Funk – Sprutbass (2013, music)
Posted by schengenizer on March 31, 2014
Here is the third instalment of Schengen border art, an ongoing project in which I try to map the multifarious ways in which the Old Continent’s (real and imaginary) frontiers have been represented/performed/subverted.
Schengen – Helmy Nouh (2013, film)
Migrants moving history: Narratives of diversity in Europe (2007, documentary)
The list – Banu Cennetoglu (2006, installation)
Permanent Waiting Room (2008, Installation)
Melilla – Flo Razowsky (2007, photos)
New Voices from Europe and Beyond’ – ARC Publications/ Literature Across Frontiers (Poetry Anthology Series)
Posted by schengenizer on February 28, 2014
In my previous post I presented the project Schengen border art. What follows are some more examples of creative representations and performances of/about European frontiers. Enjoy!
There is no place – Lisl Ponger (2007, photographs)
Foreigners registration office – Ximena Aburto Felis (2007, video)
Blue Wall of Silence – Vibeke Jensen (2007, installation)
Frontiers – You’ve reached Fortress Europe (2008, videogame)
Schengen – Raphael Haroche (2006, song)
Posted by schengenizer on January 31, 2014
Art and other creative expressions about European borders have been a recurrent theme in this blog. So much so that I have decided to launch a new side project specifically dealing with this topic. After all, isn’t the end of the year a time for new resolutions? The tentative title of this endeveour is ‘Schengen border art’, and I am planning to develop it in the upcoming months. The goal is to map contemporary artistic performances whose main subject is the Old Continent’s frontiers, be it the ‘real’ boundary demarcations in the political, social, economic realms or their imagined projections, and in the people who cross, build or challenge them on a daily basis. These artistic performances can take different forms: from novels, poems and paintings to photographs, videos, sculptures, land art, simulations, installations, theatrical and other types of ‘live’ performances. The number of these artistic expressions has mushroomed in recent years as a result of the growing interest in (and controversy over) Europe’s borders and their management. Below you will find a preview of this body of work. And stay tuned for updates on this project!
After Schengen – Ignacio Evangelista (2013)
Maritime Incidents – Heiko Schäfer (2008).
Migration, Installation – Raul Gschrey (2010)
Memorabilia – Sabina Shikhlinskaya (2012)
Contained Mobility – Ursula Biemann (2004)
Fortress Europe – Asia dub foundation (2003)
Posted by schengenizer on December 31, 2013
Halloween. The time when the undead come to town. And when boarded up haunted houses start making eerie sounds and come alive. This year, however, not all of them seem that decrepit and spirited. Some in fact remain relatively quiet. These are the haunted houses of Schengen. Haunted, yet alluring. Indeed, they can be quite luxurious. They also do not appear in creepy places (So no Castles in Transylvania – not yet. at least, for Romania is still waiting to join Schengen…). On the contrary, they rise along swanky neighborhoods or exclusive beach resorts. Who lives there? Hmmm, good question. If we had an answer, these houses would not be haunted… A more pertinent question is: why would anybody in their sane mind be so foolish as to own such as a ghostly abode? Wait a minute: it’s Schengen, stupid! Yes, what makes these architectural ghosts so attractive is that they happen to be in the most sought-after place on earth, namely Europe (Yes, some find the decadent Old Continent still attractive!). And if you are not a European citizen and require a visa to enter Eurodreamland, then why not buy your way into paradise by claiming a fictitious residence there? And here enters Jurmala, the Latvian resort city by the Baltic Sea. In 2010, the Latvian government introduced a program that allows foreign citizens to acquire residency in the country if they are willing to invest at least 71,000 euros. Minimum requirement to maintain residency: have a local address (an apartment in Jurmala sounds good!) and be there one day per year (yeah, the day the haunted houses of Schengen come alive!). And who cares about the sandy beaches (The Baltic sea is not the Caribbean after all). With a local residency in your pocket, the doors of Europe are open to you! No more hassle at EU embassies! No more dealing with these callous and ungrateful European officials! To good to be true. Indeed, in three years, around 7,000 ‘zombies’, mostly well-healed Russians, Chinese and Kazakhs, have taken advantage of this unique opportunity. But like everything else, good things are bound to come to an end. Latvia is now feeling a bit of pressure from its EU partners (should we blame them?) to close this loophole. And they might have another reason to do so. Purportedly, the rationale for this program is to encourage money flows into the country. Yet this money is often laundered and sent back to the ghost’s (ehmm, resident’s) country of origin. So much for Latvia’s gains! None should that surprised then if this year’s Halloween might seal the program’s fate: R.I.P the Haunted Houses of Schengen!
Posted by schengenizer on October 31, 2013
The way ‘Schengen’ has captured the popular imagination around the world does not finish surprising me. After all, not that long ago the term only referred to a sleepy little village along the river Moselle, known for its wine, and not much else. And then came the omonimous (and infamous) treaty that led the way to the creation of a border free Europe. This document, it should be noted, was signed on a cruise ship (the Princesse Marie Astrid), in itself quite an odd feat: how many treaties have been signed on water, and on the move? A rocking treaty indeed! From then, everything was downhill (or downstream, I should say). Almost thirty years on, Schengen is not just still alive and kicking and an established element in Europe’s political landscape. It has also become part of the collective imaginary among European citizens (NB: that does not mean that everybody is happy with it. On the contrary, there has always been opposition to it, and, of late, this opposition has been mounting. Yet, even for its enemies, Schengen is a real and powerful presence to be reckoned with. ) Interestingly, this apparently inexorable process of Schengen mythicization is spreading beyond Europe as well. Elsewhere in this blog. I have described this phenomenon, especially through some of its most unexpected expressions in popular culture (see, for instance, my musings on the recently opened Schengen restaurant in Petersburg). I thought I had seen it all. Instead, recently I came across something that pushes the boundaries of the Schengen mythical saga a step further. What I am referring to here is a video, posted over the summer by a Taiwanese TV channel. The 5 minute clip is a colorful, postcard-like presentation of the town of Schengen as a tourist attraction for a Taiwanese audience. Now, it is true that East Asian international tourism has expanded exponentially in recent years, especially to Europe, and that this new wave of tourists have become more demanding (the classic tour of European capitals does not do it anymore…). Still, visiting a small village in the middle of nowhere? Why on earth? Well, as it happens, the main reason to visit is that…. it is the birthplace of the Schengen regime! Of course! After all, what’s most exciting than visiting the monument that commemorates the agreement, located just outside the town, along the river Moselle (see pic) on a sunny (though the sun is not always guaranteed) European summer day? Together with the Colosseum, the Tour Eiffel, Buckingham Palace, Schengen is the place to be. Or, at least, this what the TV is telling you. See it to believe it, in your next grand European tour!
Posted by schengenizer on September 30, 2013
A truly European flavour…
Since last May, Russia has its own ‘Schengen’. It’s a place where you can go for pleasure or business. It’s a restaurant in Saint Petersburg. The restaurant is located not far from the Finnish Consulate, where the owner goes to get “the cherished Schengen visa.” Hence the name. But there is more to it than pure happenstance. The reference to ‘Schengen’ is meant to evoke the cosmopolitan aura that Europe’s area of free movement is supposed to project, together with other related ‘progressive’ notions such as open-mindedness, sophistication, and freedom. This spin is not that surprising. After all, the purpose of any act of ‘branding’ is to sell a product to a customer, and thus the product should be associated with something positive. In the eyes of the management, ‘Schengen’ is supposed to do the trick.
And the trick seems to work. According to one reviewer, Schengen is “a new location for smart people.”. In terms of menu, another reviewer notices how “at first (it) seemed concise to the point of being a bit parsimonious” (these stingy Europeans!), although the overall experience is one of “visa-free satisfaction”. Schengen’s design as well is quintessential European. It has in fact a “slightly Germanic feel” but it “bring(s) together influences from different parts of Europe into an effortlessly harmonious whole”. (Well, “slightly Germanic feel” might be a bit of understatement when we look at Europe today; in turn, the Old Continent is all but “effortless” and “harmonious” these days, but you get the picture…)
From its clientele to its look, Schengen (the restaurant) thus seems to uncannily represent a microcosm of Europe’s border free area, or at least what European policy-makers would like to present outside the region. In this sense, Schengen (the restaurant) is not unique. There are other examples of businesses with topographical names reminiscent of a location that is different from the one where that business actually lies. It is arguably one of the most common practices in the hospitality industry. After all, almost all respectable cities around the world have a ‘London’ or ‘Paris’ restaurant, even if these establishments are located neither in England nor in France. The Schengen restaurant is also not the only bearing a name of topographical entity that does not actually exist. (We should keep in mind that formally ‘Schengenland’ is not a political entity that we can ﬁnd on a map; in EU legal documents, the reference is still to the territory of member states). Cities are replete with hotels bearing the names of ﬁctional locations, including mythical ones (for example, ‘Paradise’, ‘El Dorado’).
What distinguishes the case of the Schengen restaurant is that it refers to both a real and a ﬁctional entity. The restaurant’s name in fact refers to something that simultaneously does and does not exist. In this context ‘Schengen’ is something real because, according to those who chose this name, its referent object is an existing political entity with deﬁned ‘commonsensical’ features; however, it is also fictional, because this political entity does not formally exist, or at least it does not necessarily exist in the way the management of the restaurant thinks it does. Ready to go to Schengen? Check its menu first, there might be surprises…
Posted by schengenizer on July 31, 2013